Sunday, February 16, 2025

Betty Joaquin and "Tuffy Morgan" = Hagen-Renaker "Nancy" and "Tony"

Hagen-Renaker "Tony" newborn foal and "Nancy" mare

Equine history and the history of model horse figurines often overlap. This is, I believe, the case for the mid-20th century Morgan mare Betty Joaquin and her 1953 foal, known as "Tuffy Morgan," and the ceramic mare and foal figurines called "Nancy" and "Tony" by the California pottery Hagen-Renaker, Inc. 

In the 1950s, Hagen-Renaker was located in Monrovia (Los Angeles County), California. So were Betty Joaquin and Tuffy Morgan. They belonged to horse rancher Merle Little (1906-1975). 

Betty Joaquin and her 1953 colt

The artist who designed "Nancy" and "Tony," Maureen Love (1922-2004), spent many hours visiting Merle's El Rancho Poco on Mountain Avenue in Monrovia, sketching horses on the property, and observed at a distance by Merle, his family, and his employees. 

Artist Maureen Love

I believe that Betty Joaquin and her 1953 foal, which Merle's daughter Marlene called "Tuffy Morgan," inspired the H-R "Nancy" and "Tony."

Hagen-Renaker "Nancy" and "Tony."
These examples were originally owned by Merle Little.

The figurines were some of Maureen's earliest horse designs for H-R, issued in Fall 1955 to Spring 1957, Spring 1958, 1964, and 1965. "Nancy" and "Tony" came in matte grey with darker shading.  (It was common for Hagen-Renaker to mass-produce horse figurines in colors other than the color of the real horse Maureen Love sketched and then turned into a 3D design.)

Some collectors have identified "Nancy" and "Tony" as Thoroughbreds or horses of unknown breed, but the Hagen-Renaker factory's handwritten Mold Book identifies them as Morgans. 

Source: Hagen-Renaker Mold Book, courtesy of Nancy Kelly

I also believe they are Morgans, because Merle Little's older daughter, Marlene, told me that her father's Hagen-Renaker "Nancy" model was based on Betty Joaquin. 

Merle kept many photographs of his prize-winning mare Betty Joaquin. Foaled in 1940, she was bred by the "dean of Morgan horse breeders," Roland Hill. Her sire was Joaquin Morgan and her dam was Dan's Betty. Betty Joaquin was well known in regional horse show arenas. 

Betty Joaquin and Merle Little

Four of Merle Little's Morgan mares at a horse show in San Diego.
Betty Joaquin is second from left.

This first-person testimony, and the notation in the Mold Book that "Nancy" and "Tony" were Morgans, is borne out by photographs of Betty Joaquin and her 1953 foal. Marlene said that she called him "Tuffy Morgan," but her father called him by another name (she didn't say what).


Merle Little owned two Hagen-Renaker "Nancy" models and one "Tony." The two mares show some of the variations in Hagen-Renaker's decorating styles.




They also demonstrate how good Maureen was at capturing the body language of a mare with a very young foal at her side. The mare's attitude seems to change, depending on which side of her you're on.

Betty Joaquin had several registered Morgan offspring, and there are photographs of at least two more of them as foals from Merle Little's estate. (More on them in separate blog posts.) But I believe the foal known as Tuffy Morgan probably inspired the H-R "Tony." 

Look at little Tuffy Morgan's head...


..and compare it to that of the Hagen-Renaker "Tony."


There's other evidence. Back in 2013, many of Maureen Love's original sketches of horses were sold by her heirs on eBay. Ed Alcorn archived the eBay photos on his Hagen-Renaker Online Museum website. At least one of them appears to show Betty Joaquin and a foal.


Source: Hagen-Renaker Online Museum

This photograph, from Merle Little's estate, shows Betty Joaquin's long forelock, mane, and tail.


I believe that it's at least plausible that Betty Joaquin and her foal known as "Tuffy Morgan" inspired the Hagen-Renaker "Nancy" and "Tony" Morgans. 

The sad part of this story is that there's no record of Tuffy Morgan, or any 1953 foal out of Betty Joaquin ever being registered. It's possible that he didn't survive; it's possible he was half-bred and sold without being registered. 

At least we have Maureen Love's record of him, in the form of the Hagen-Renaker "Tony" newborn foal.


Photographs of real horses and people are from the estate of Merle Little. Model horse photographs are by the author. Certain images in this post are provided under the Fair Use provision in Section 107 of the United States Copyright Act. "Fair Use" specifically allows for the use of copyrighted materials for educational purposes only.

___________________________________________

You can find the Hagen-Renaker Mold Book on Hagen-Renaker historian Nancy Kelly's website: 

https://ketain.com/hagen-renaker-mold-book/

The Hagen-Renaker Online Museum is here:

https://hagenrenakermuseum.com/

This is Brenda L. Tippin's article on Roland Hill, in The Morgan Horse magazine:

https://www.morganhorse.com/upload/photos/904TMH_AprilMay2018_HISTORICAL_RolandHill.pdf

You can see Betty Joaquin's pedigree here:

https://www.allbreedpedigree.com/index.php?query_type=horse&h=BETTY+JOAQUIN&g=5&cellpadding=0&small_font=1&l=

All Breed Pedigree, above, says she was a silver dapple, but her registration papers say she was dun. 


And this ad in Western Livestock Journal, from 1943, shows that her previous owner described her as "chocolate brown, with a white mane and tail."

It's helpful to remember that, back then, horse owners and breed registries didn't have the same understanding of equine genetics and color that we do now. A good resource for horse color information is author Lesli Kathman's website:

https://www.horse-color.com/about

Monday, January 27, 2025

The Arrow Rock Stage Line Stagecoach in the 1948 Tournament of Roses Parade

The behind-the-scenes stories of the annual Tournament of Roses Parade are too numerous to count. But because Monrovia/Duarte horse rancher Merle Little saved his family's photo album and paper ephemera, we have some examples of just how connected the local equestrian community was to the Parade, in the years before and after World War II. 

On the backs of three snapshots, Merle wrote "R. P. 1948" in pencil.

Merle rode his Morgan stallion, Senor Morgan (standing next to the horse van) in an equestrian unit in the Fifth Division of the parade.


And Merle saved a photograph of his handmade stagecoach, decorated with flowers and bearing the logo of the Weber Bread company, which was based in what we now call Southeast Los Angeles. 

This video on YouTube shows the Weber's Bread entry decorated in white, yellow, and red flowers, in the 1948 Rose Parade, staring at 12:03:

https://www.youtube.com/watch?v=84fgOI0IAT0

We can also see Merle's stagecoach in this ad that Weber's Bread took out in the January 16, 1948 editions of the Los Angeles Times and Pasadena Independent. 

Los Angeles Times, January 16, 1948


Merle Little and Montie Montana were good friends, and took part in many Southern California equestrian activities together over the years. 

The captions tell us the names of the humans (though unfortunately not the Pinto horses) that took part in the parade. On the left of the group shot, we see the members of the 1940s-50s iteration of the cowboy singing group Riders of the Purple Sage and their leader, Foy Willing. (This Western singing group was founded in 1942, as opposed to the New Riders of the Purple Sage, founded in 1969 and featuring members of the Grateful Dead.) 

The people on horseback were Montie and Louise Montana and two executives from Weber's Bread, Vee Bear and Roy Nafziger. The larger, main photo in the ad shows Nafziger, rodeo performer Jess Kell, who drove the stagecoach, and Montie Montana.

Merle Little would have been up ahead in the parade, aboard Senor Morgan.

Here's Merle's stagecoach without the flowers. In this photo, Merle and his wife, Edna May, and their daughters Donnette and Marlene. The stagecoach is drawn, as it usually was when Merle drove it, by Merle's Morgan mares Santa Ynez (with the blaze) and Anita Belle Gift (with the star).


The story of how Merle came by his stagecoach is worthy of its own blog post, which I'll share soon.

____________

Here's the Historic Los Angeles page for Weber's Bread: 

https://hpla.lacity.org/report/aca422f3-bc22-47f5-aacf-69e0f52a05fb

The newspaper ad noted that Foy Willing and the Riders of the Purple Sage had a radio program on KNX. You can hear a selection songs by Foy Willing and the Riders of the Purple Sage here: https://www.youtube.com/watch?v=-ZqAcjn87yU

And here's their Wikipedia page: 

https://en.wikipedia.org/wiki/Riders_of_the_Purple_Sage_(band)






Monday, September 23, 2024

East Visits West: Earl Krantz of the United States Morgan Horse Farm in California, Autumn 1946


Morgans at El Rancho Poco, Monrovia/Duarte, California,
probably in the late 1940s to mid 1950s.

In February 1947, The Morgan Horse Magazine published an article by Earl S. Krantz, then head of the United States Morgan Horse Farm near Middlebury, Vermont.  He called it "Morgan Travelogue." (I'll put a link to an archived copy of  the entire issue of the magazine at the end of this post.)

Krantz detailed his Autumn 1946 trip across the United States, visiting Morgan horse breeders in Vermont, Illinois, Kansas, and California, "and a few en route," and commenting on their horses. Krantz outlined the reasons for his travel on behalf of the Morgan Horse Club:

When he got to Southern California, Krantz mentioned the Morgan horses being bred by:

Mary Smith, Camarillo

Dr. C. C. Reed, Compton

Dr. Leonard J. Brunie, Pasadena

Keith Morse, Arcadia

Hugh Logan, Glendale

O. C. Foster, Calabasas

E. W. Roberts, Los Angeles 

Merle Little, Monrovia/Duarte

Krantz spent a couple of paragraphs describing the activity of the Morgan Horse Association of the West, which had 75 active members. Krantz reported that when the group met in November 1946, 60 members who owned about 400 registered Morgans were in attendance.

"For the first time in Morgan history all major and many minor bloodlines are being gathered into one area in sufficient numbers of make possible greater selective breeding," Krantz wrote. "Even though the interests of these breeders may vary in the use of Morgan saddle horses for pleasure, for parade, for stock or ranch purposes, a blending of bloodlines is sure to be made with greater uniformity of type and usefulness."

In Merle Little's estate collection is a photo of Krantz visiting Merle in Monrovia/Duarte. I'm not sure if this has ever been published before. 

A rubber stamp on the back of the 8x10" original shows that Merle had called upon one of the best-known horse photographers in the area of that day, John Williamson, to document Krantz' visit.


From left to right: Earl Krantz; Cal Secrest, on an unidentified Morgan (note the hackamore bridle); Merle Little; Merle's stallion Senor Morgan 8647.

The young Cal Secrest (who, I believe, worked at El Rancho Poco), wrote a note accompanying the photograph: "Merle was very proud!! of this visit by Mr. Krantz. I [Cal] was 17 years old in this picture."

* * *

Here's the entire issue in PDF form:

https://www.morganhorse.com/upload/photos/7671_February1947TMH.pdf





Thursday, July 25, 2024

Beyond the Newsreels: Swaps in Hollywood

In which we recount the little-known Hollywood feature film appearance
of "California's most famous Thoroughbred."

Swaps on the cover of Sports Illustrated magazine

Horse history lovers remember the California-bred chestnut Thoroughbred stallion Swaps (chestnut horse, foaled 1952, Khaled [Great Britain] x Iron Reward) as the winner of the 1955 Kentucky Derby (over the heavily favored Nashua), the Santa Anita Derby, the Hollywood Gold Cup Stakes, and many more races. He has been called "California's most famous Thoroughbred." 

The National Museum of Racing and Hall of Fame website summarizes his career. It begins:

Swaps was so fast that he set a world record for a mile, a world record for a mile and 70 yards, a world record for 1 1/16 miles (and broke that one), equaled an American record for 1 3/16 miles on turf, set a world record for 1 5/8 miles, and raced to three other track records — 10 in all — yet owner/breeder Rex Ellsworth said he never fully turned Swaps loose to see how fast he could run.

Bred in California, Swaps won three of his six starts as a juvenile and finished second in two others before emerging as a 3-year-old superstar in 1955. He began the year with victories in the San Vicente Stakes and Santa Anita Derby before defeating Nashua in the Kentucky Derby. Swaps then returned to California to win the Will Rogers, Californian, and Westerner stakes. 

In August, Swaps tried the grass for the first time, winning the American Derby at Washington Park. He gave seven pounds to Traffic Judge and beat him by a length in 1:54 3/5 to equal the American record for 1 3/16 miles on turf.

Eleven days later, Swaps met Nashua in a match race at Washington Park. Swaps was not in his best form and was defeated by 6 1/2 lengths. It was his final race of the year....

There's more to his story. We'll look at that shortly.

We remember Swaps in many ways. There are many famous photographs of him. Swaps appears in this montage of California Thoroughbreds that author and artist Gladys Brown Edwards saved:


Gladys Brown Edwards' scrapbook page of California Thoroughbreds.
Swaps is at the top of the center row.
(Cecil and Gladys Brown Edwards papers, W. K. Kellogg Arabian
Horse Library, Cal Poly Pomona.)

I found this old souvenir photo print of Swaps
at an estate sale several years ago.


This photo of Swaps appeared in Western Horseman magazine.

Another old magazine carried this photo of Swaps and Shoemaker.

Sculptor Albert Stewart created a bronze statue of Swaps and jockey William Shoemaker, based on a design and setting by Millard Sheets. It stood at Hollywood Park from 1958 until the facility (which had closed in 2013) was demolished in 2015. The statue is reportedly being stored until it can be relocated elsewhere. 

The Southern California pottery Hagen-Renaker, Inc. captured Swaps in two different ceramic designs by artist Maureen Love. 

Hagen-Renaker's miniature and larger "Swaps" ceramic figurines
in front of a photo print of the real Swaps. Photo by author.

The larger Designers Workshop "Swaps" was first issued in 1957, and the miniature in 1959. Both molds were leased by Breyer and issued in plastic; its Classic "Swaps" was first issued in 1975, and the smaller Stablemate "Swaps" in 1976.

Closeup of the author's DW Hagen-Renaker "Swaps"

We're fortunate that Swaps raced in the age of film, because he can be seen in action in a number of newsreels and documentaries that have survived online. I'll put some links to these at the end of this post.

But there was more to Swaps' film career than documentaries and horse racing newsreels. Swaps is listed as an uncredited cast member in the 1956 RKO Studios feature film "Glory." 

Part Girl-Meets-Horse film, part musical, "Glory" starred Margaret O'Brien in her first "grown-up" role. O'Brien is considered by many to have been the best "child star" of Hollywood's golden era. When she was six years old, she played Judy Garland's little sister Tootie in the 1944 classic "Meet Me in St. Louis," for which she received a special Academy Award for best child actress.

Margaret O'Brien and Judy Garland in "Meet Me in St. Louis."
Source: Wikipedia

In "Glory," O'Brien's co-stars included Hollywood stalwarts Walter Brennan and Charlotte Greenwood. O'Brien's character falls in love with a Thoroughbred filly called Glory, who (in the story) went on to win the Kentucky Derby.  

"Glory" began with commentary on Thoroughbred horse racing, including mentions of Fair Play, Mahmoud, Alibhai, Citation, and Bull Lea. Swaps gets a mention as having been in "Glory" because the film contains actual footage of him -- as the fictional horse Glory -- winning the 1955 Kentucky Derby. 

The fictional Glory was also played by at least two unnamed Thoroughbreds. The foal in the photo below played the title role early in the film. The caption under this photo in a local newspaper mentions that "many scenes in the picture were filmed at Calumet Farm, Keeneland Race Course and other locations in Fayette County." 

Lexington Herald-Leader, January 5, 1956

Other newspaper accounts say that the birth of the filly was actually filmed in California. As soon as foaling was complete, the mare and her offspring were trucked to the RKO Studio in Hollywood for two days of filming with their human co-stars. 

Greensboro, NC News and Record, July 31, 1955

Glory the adult movie horse was chestnut like Swaps -- although of course Swaps was not female.  We can see an unknown horse that played the title role in "Glory," in this screen grab of a picture from Allen Ellenberger's 2000 biography Margaret O'Brien. This horse looks slightly roman-nosed. 

Since the film of Swaps winning the Kentucky Derby was used in "Glory," it was important that the horses that played the part of Glory in closeup shots have similar color and markings. It's not uncommon for movie horses to have white markings added or removed for their film roles. 

Here's a publicity still from "Glory" showing Margaret O'Brien with a horse. Look at the size and shape of the star on its forehead. This horse also appears to have a snip near its right nostril. The makeup artist (if that's what you call the person who adds or removes white markings from movie horses) was attempting to replicate Swaps' facial markings. 

We also see the movie horse Glory in a film clip archived on YouTube. (I'll put a link to it at the end of this post.) The star on the horse in this sequence appears to be different than the one in the photo above. 

Compare the stars on Movie-Glory's forehead with the real Swaps' smaller star marking. This photo from the cover of the July 18, 1955 issue of Sports Illustrated also shows his white snip.


But, considering that we see the real Swaps from a distance in the '55 Derby footage in the film, perhaps these errors on the part of pre-CGI Hollywood horse makeup artists can be forgiven.

TCM has archived the original trailer for "Glory" on its website. 

https://www.tcm.com/video/143279/glory-1956-original-trailer/

Horse Figurine Sidebar: Look at this screen grab from the trailer. See the trophy above Margaret O'Brien's head?


It appears to be a Dodge. Inc./Gladys Brown Edwards Thoroughbred and jockey trophy! I don't own one, but my friend Vickie was kind enough to loan me a photo of hers. This example of the trophy top is mounted on a piece of marble or onyx.


Back to the main story: Even though the exterior scenes in "Glory" were filmed at historic locations in Kentucky, much of the movie was shot in California. TCM notes that the San Fernando Valley ranch of film director Rowland V. Lee was used; the Internet Movie DataBase website and contemporary newspaper accounts say that the RKO Studios in Hollywood were also used. 

While the film's premiere was given many, many column inches in Kentucky newspapers, the Los Angeles Mirror mentioned the film's connection to the famous young race horse.

Los Angeles Mirror, January 12, 1956

The cover of the January 8, 1956 Louisville Courier-Journal newspaper's Magazine section featured a full-page photo of "Margaret O'Brien and horse."


That was an understatement. Inside, the magazine explained that the horse in the cover photo was none other than Swaps himself.


Ellenberger's biography quotes O'Brien about her meeting with Swaps:

While I was making "Glory" we were out at Hollywood Park, and  they let me ride Swaps. He was very gentle --not too high strung like so many race horses. You could get hold of him and he wouldn't go too fast if you didn't want him to.

Calling her "quite a skilled equestrienne," columnist Tommy Fitzgerald said that O'Brien rode Swaps bareback, which is backed up by this publicity still. O'Brien is wearing the same cap and clothing as in the magazine cover photo above. 


The 1955 relationship between Margaret O'Brien and Swaps went a step further. A syndicated news story reported that O'Brien would act as Swaps' mascot in his $100,000 match race against Nashua in Chicago. 

(San Fernando) Valley Times, August 6, 1955

She didn't bring Swaps any luck. He did not have a good race, and lost that one to Nashua.

But the defeat was far from the end of Swaps' story. His NRMHF website biography concludes:

...As a 4-year-old, Swaps was recognized as Horse of the Year and Champion Handicap Male. He won eight of his 10 starts and carried 130 pounds seven times. His wins included the Los Angeles County Fair, Broward, Argonaut, Inglewood, American, Hollywood Gold Cup, Sunset, and Washington Park handicaps. 

Swaps set a world record for one mile in the Argonaut (1:33 1/5), a world record for 1 1/16 miles in the Inglewood (1:39), and matched the world record for nine furlongs in the American Handicap (1:46 4/5). His time for the 1 1/4-mile Hollywood Gold Cup was 1:58 3/5, a track record that missed the world mark by two-fifths of a second. In the Sunset, at 1 5/8 miles, Swaps shattered the world mark with a clocking of 2:38 1/5.  

Swaps fractured a cannon bone while training that October and was retired with a career record of 19-2-2 from 25 starts and earnings of $848,900. Ellsworth had sold a half-interest in Swaps to John Galbreath for $1 million during the 1956 season and later sold the other half for a like amount. Swaps was sent to Darby Dan Farm in Kentucky for stud duty, later relocating to Spendthrift Farm.

Swaps sired 35 stakes winners, including Hall of Fame member Affectionately. Swaps died in 1972 at the age of 20.

During his career, Swaps touched the lives of millions of people all over the world.  He, and Hollywood Park, are now gone. We occasionally see "Glory" on cable television. As of the publication of this post in July 2024, Margaret O'Brien is still with us.  She continued acting until 2018. She has two stars on the Hollywood Walk of Fame -- one for her work in film, one for television. It's good to know that she also liked horses, and especially that Swaps, the world-famous winner of the Kentucky Derby and so many more races, was also gentle enough for her to ride.

***
Many thanks to Vickie Neiduski and Melanie Teller for their assistance in preparing this blog post.

***
Here's a newsreel of Swaps' 1955 Kentucky Derby win:

Here's the trailer for "Glory" on the TCM website:

Here's a the clip from the film "Glory":

Swaps' pedigree is here:

The Blood-Horse magazine website has a summary of Swaps' career, and many photos:


Here's a grainy copy of "Races to Remember." You can see Swaps win the Kentucky Derby starting at about 6:33, and his match race against Nashua starting at about 7:24:

The Online Archive of California has a copy of the Inglewood Public Library's photo of the Swaps statue at Hollywood Park:

Rowland V. Lee's ranch is listed on the Visiting the Movie Sites website:

Gladys Brown Edwards' papers, photographs, and scrapbooks are at the W. K. Kellogg Arabian Horse Library, Special Collections unit, University Library, Cal Poly Pomona:  https://oac.cdlib.org/findaid/ark:/13030/c8vd745z/